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    Johannes-Passion

    Johann Sebastian Bach 

    The St John Passion is the pinnacle of the religious repertoire and a work of towering emotions, performed here by Leonardo García Alarcón and choreographer Sasha Waltz.

    Photo du spectacle de la Passion selon Saint Jean © Mirco Magliocca
    Photo du spectcale de la Passion selon Saint Jean © Mirco Magliocca
    Passion selon Saint Jean © Mirco Magliocca
    Photo du spectacle de la Passion selon Saint Jean © Mirco Magliocca
    Passion selon Saint Jean © Mirco Magliocca
    Photo du spectcale de la Passion selon Saint Jean © Mirco Magliocca
    Passion selon Saint Jean © Mirco Magliocca
    Photos de Leonardo García Alarcón © FRançois Berthier, Sasha Waltz © Herlinde Koelbl
    Leonardo García Alarcón © FRançois Berthier, Sasha Waltz © Herlinde Koelbl

    Leonardo García Alarcón | direction
    Sasha Waltz | staging, choreography 
    Bernd Skodzig | costumes
    Heike Schuppelius | sets design 
    David Finn | lights

    Sophie Junker | soprano
    Georg Nigl | baritone (Pilate)
    Christian Immler | bass baritone (Jesus) 
    Benno Schachtner | countertenor 
    Valerio Contaldo | tenor (The Evangelist) 
    Mark Milhofer | tenor

    Rosa Dicuonzo, Yuya Fujinami, Tian Gao, Eva Georgitsopoulou, Hwanhee Hwang, Annapaola Leso, Jaan Männima, Margaux Marielle-Tréhoüart, Virgis Puodziunas, Orlando Rodriguez, Joel Suárez Gómez | dancers

    Sasha Waltz & Guests Company
    Ensemble Cappella Mediterranea

    Chœur de chambre de Namur, Chœur de l’Opéra de Dijon | direction Anass Ismat

     

    To mark the three-hundredth anniversary of the work, choreographer Sasha Waltz, who is a familiar face in the opera world, presents a version in which she works very closely with Leonardo García Alarcón, the leader of the Cappella Mediterranea Ensemble and the twin choirs of Namur and the Dijon Opera, where the work was premiered in late March 2024. Sasha Waltz, who is renowned for radical and innovative aesthetic choices and powerful movements, has appropriated this vast work in which deeply-inspired fervour combines with theatricality to describe the final suffering of the Son of Man. Michel Franck opted to inaugurate his first term as Director of the Théâtre in 2010 with Pascal Dusapin’s Passion, and entrusted the staging to Berlin-born choreographer Sasha Waltz. This set the tone for the more unconventional repertoire and artistic partnerships which he favoured. He also invited her to work on the celebration of the centenary of The Rite of Spring in 2013, a challenge to which she rose with great flair. Her return to open his last season is a fitting reminder of the trajectory he has pursued since 2010. 

    Production Opéra de Dijon
    Coproduction Compagnie Sasha Waltz & Guests | Théâtre des Champs-Elysées
    Avec le soutien d’Aline Foriel-Destezet, Grand Mécène de la saison artistique du Théâtre des Champs-Elysées
    Décors réalisés par les ateliers de l’Opéra de Dijon et la compagnie Sasha Waltz & Guests
    Costumes réalisés par les ateliers de l’Opéra de Dijon et de Manja Beneke